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luís soares

Blog do escritor Luís Soares

You shock me to the core

We're like crystal, we break easy
I'm a poor man, if you leave me
I'm applauded, then forgotten
It was summer, now it's autumn

 

I don't know what to say, you don't care anyway
I'm a man in a rage (just tell me what I've got to do), with a girl I betrayed
Here comes love, it's like honey
You can't buy it with money, you're not alone anymore,
(whenever you're here with me),
You shock me to the core, you shock me to the core

 

We're like crystal, it's not easy
With your love, you could feed me
Every man, and every woman
Needs someone, So keep it coming
Keep it coming, keep it coming, keep it coming
Keep it coming, keep it coming, keep it coming
Keep it coming

 

I don't know what to say, you don't care anyway
I'm a man in a rage (just tell me what I've got to do), with a girl I betrayed
Here comes love, it's like honey
You can't buy it with money, you're not alone anymore,
(whenever you're here with me),
You shock me to the core, you shock me to the core

 

Keep it coming, keep it coming, keep it coming
Keep it coming, keep it coming, keep it coming
Keep it coming, keep it coming, keep it coming

How He Entered

Stuart A.Staples:

"I bought the donkey head a few years ago from a great theatrical antiques shop in Strasbourg – he is apparently 100 years old. Sometimes I wear him around the house, he has become a kind of alter-ego. We had a photo session for the album arranged at Langar Hall, Nottingham, with Richard Dumas. I thought I would take the head along, see what happens. We have known each other a long time, there is a lot of trust between us. When Richard was introduced to donkey man he put down his champagne and rushed to get his camera – the next day was a lot of fun and the session spawned the great album cover and the booklet of the donkey man and his wife that goes with it. The idea of the film – a day in the life – was born that day. Myself and Suzanne started to make a storyboard and discuss with Richard. Though over the course of the filming, the emotion of the story and connection with character developed between us."

 

Richard Dumas

"When we finished the making of the donkey cover, Stuart had the feeling we had given birth to a real character and he wanted me to direct a short film showing the donkey's daily life. That was the beginning. Amaury joined and we had the perfect team, with Stuart and Suzanne his wife, writing a sort of screenplay. We returned to the scene of the crime and shot like a film, not like a music video. The image is in no way an illustration of the lyrics. All the feelings come from the meeting of the music and the image, almost by accident."