Bach à antiga alemã.
DUETT (Spran, Alt) "So ist mein Jesus nun gefangen!"
Chor: "Sind Blitze, sindDonner in Wolken verschwunden?"
Conductor: Karl Richter
Soprano: Helen Donath
Contralto: Julia Hamari
Munchener Bach Chor
Munchener Bach Orchester
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DUETT (Spran, Alt) "So ist mein Jesus nun gefangen!"
Chor: "Sind Blitze, sindDonner in Wolken verschwunden?"
Conductor: Karl Richter
Soprano: Helen Donath
Contralto: Julia Hamari
Munchener Bach Chor
Munchener Bach Orchester
Well she's up against the register with an apron and a spatula,
Yesterday's deliveries, tickets for the bachelors
She's a moving violation from her conk down to her shoes,
Well, it's just an invitation to the blues
And you feel just like Cagney, she looks like Rita Hayworth
At the counter of the Schwab's drugstore
You wonder if she might be single, she's a loner and likes to mingle
Got to be patient, try and pick up a clue
She said "How you gonna like 'em, over medium or scrambled?",
You say "Anyway's the only way", be careful not to gamble
On a guy with a suitcase and a ticket getting out of here
It's a tired bus station and an old pair of shoes
This ain't nothing but an invitation to the blues
But you can't take your eyes off her, get another cup of java,
It's just the way she pours it for you, joking with the customers
Mercy mercy, Mr. Percy, there ain't nothing back in Jersey
But a broken-down jalopy of a man I left behind
And the dream that I was chasing, and a battle with booze
And an open invitation to the blues
But she used to have a sugar daddy and a candy-apple Caddy,
And a bank account and everything, accustomed to the finer things
He probably left her for a socialite, and he didn't 'cept at night,
And then he's drunk and never even told her that her cared
So they took the registration, and the car-keys and her shoes
And left her with an invitation to the blues
'Cause there's a Continental Trailways leaving local bus tonight, good evening
You can have my seat, I'm sticking round here for a while
Get me a room at the Squire, the filling station's hiring,
And I can eat here every night, what the hell have I got to lose?
Got a crazy sensation, go or stay? now I gotta choose,
And I'll accept your invitation to the blues
Lake Street Dive - Bose Better Sound
Recorded live in Bose studios
www.lakestreetdive.com
Their style’s unique, their energy’s infectious, and their talent’s undeniable. Get ready to fall in love with Lake Street Dive just like we did when they stopped by to play two songs (“Godawful Things” and “Mistakes”) from their latest LP, “Side Pony.” Featuring Rachael Price (lead vocals), Mike “McDuck” Olson (guitar, trumpet, vocals), Bridget Kearney (upright bass, vocals), and Mike Calabrese (drums, vocals). Recorded live at Bose studios, “Better Sound Sessions” features our favorite artists playing music that sounds and feels the way you know music should.
The process of painting for me begins as a kind of soliloquy through which I work out my fascinations with the contemporary landscape and the connections that tie me to my own place in the world. I discover painting sites without seeking them. Often motifs are the serendipitous results of trips to the grocery store or other practical routines of daily life.
I paint on location, executing small, quick studies in which I attempt to respond to the transience of light and weather. The challenge is to distill the essential color, form, and space from the "blooming, buzzing confusion" of nature using only my eyes and the language of painting. Balancing these outdoor studies are longer meditations worked out on a larger scale in the studio from drawings, photographs, and experimentation at the palette. The two practices complement each other but are essentially self-sufficient activities. When working outdoors I rarely think of the studies as preparations for studio paintings. If anything the reverse is true. A long season of studio work often drives me outdoors to escape the inevitable ditches I drive myself into when the direct reference to nature has grown thin.
Divesting myself of limiting preconceptions is a necessary condition of painting from observation, and so the act of painting is not so much about the resulting commodity as it is a game of consciousness. Receptivity is my primary aim. The goal, ultimately, is to construct a living metaphor in color, shape, and mark for my experience of the concrete world. The thrill when the first crude likeness appears is still as fresh and exciting as it was when I first started painting.
Jamie xx released a new music video for “Gosh,” off last year’s excellent album In Colour, early Friday morning. Debuting on iTunes and Apple Music and directed by Romain Gavras (M.I.A.’s “Born Free”), the clip features an enormous cast – more than 400 actors filmed with no CGI or 3D effects, according to a release – moving in near-synchronization.
If you have a house
you must think about it all the time
as you reside in the house so
it must be a home in your mind
you must ask yourself (wherever you are)
have I closed the front door
and the back door is often forgotten
not against thieves necessarily
but the wind oh if it blows
either door open then the heat
the heat you’ve carefully nurtured
with layers of dry hardwood
and a couple of opposing green
brought in to slow the fire
as well as the little pilot light
in the convenient gas backup
all of that care will be mocked because
you have not kept the house on your mind
but these may actually be among
the smallest concerns for instance
the house could be settling you may
notice the thin slanting line of light
above the doors you have to think about that
luckily you have been paying attention
the house’s dryness can be humidified
with vaporizers in each room and pots
of water on the woodstove should you leave
for the movies after dinner ask yourself
have I turned down the thermometer
and moved all wood paper away from the stove
the fiery result of excited distraction
could be too horrible to describe
now we should talk especially to Northerners
of the freezing of the pipe this can often
be prevented by pumping water continuously
through the baseboard heating system
allowing the faucet to drip drip continuously
day and night you must think about the drains
separately in fact you should have established
their essential contribution to the ordinary
kitchen and toilet life of the house
digging these drains deep into warm earth
if it hasn’t snowed by mid-December you
must cover them with hay sometimes rugs
and blankets have been used do not be
troubled by their monetary value
as this is a regionally appreciated emergency
you may tell your friends to consider
your house as their own that is
if they do not wear outdoor shoes
when thumping across the gleam of their poly-
urethaned floors they must bring socks or slippers
to your house as well you must think
of your house when you’re in it and
when you’re visiting the superior cabinets
and closets of others when you approach
your house in the late afternoon
in any weather green or white you will catch
sight first of its new aluminum snow-resistant
roof and the reflections in the cracked windows
its need in the last twenty-five years for paint
which has created a lovely design
in russet pink and brown the colors of un-
intentioned neglect you must admire the way it does not
(because of someone’s excellent decision
sixty years ago) stand on the high ridge deforming
the green profile of the hill but rests in the modesty
of late middle age under the brow of the hill with
its back to the dark hemlock forest looking steadily
out for miles toward the cloud refiguring meadows and
mountains of the next state coming up the road
by foot or auto the house can be addressed personally
House! in the excitement of work and travel to
other people’s houses with their interesting improvements
we thought of you often and spoke of your coziness
in winter your courage in wind and fire your small
airy rooms in humid summer how you nestle in spring
into the leaves and flowers of the hawthorn and the sage green
leaves of the Russian olive tree House! you were not forgotten
Alice Sara Ott and Francesco Tristano on the wings in the studio 2 in U21-NETWORKED. They play "La Valse" by Maurice Ravel.
'River In Me' is the first single from the new album 'Fixion' (Out September 16th, 2016).
Music credits:
All instruments played by Anders Trentemøller. Lyrics written and performed by Jehnny Beth. Additional bass played by Jeppe Brix.
Video credits:
Directors: RITON EMENIUS (Åsa Riton & Andreas Emenius)
Producer: Linnéa Andersson
DOP: Nadim Carlsen
Editing: Riton Emenius
FAD: Jacob Eklund
Art Direction: Riton Emenius
Junior Art Director: Alexandra Stroemich
Junior Art Director: Lisanne Fransen
1st AC: Malin Gutke
Technical assistant: Andreas Almkvist
Hair & Make up: Sóley Ástudóttir
Production assistant: Lisa Jonsson
Actors: Nim Sundström, Cajsa Wessberg, Ida Jagerfeldt, Caroline Johansson & Andreas Eriksson
Director assistant: China Yggström
Colorist: Ola Bäccman
Online: Oscar Gullstrand/ Naive
Production Company: Camp David Film
Thank you to: Annika Pehrson & Swiss, Billy Söderin, Liljeholmskollektivet
Special thanks to: Tomas Jonsson, Per-Arne Sundell, Susanne Kottulinsky & Anders Fluch (Driving Event Producers) and Daniel Thisell (Ljud&Bildmedia)