Video: Shot at Piscina das Marés (Leça - Portugal) Models (Best Models): Inês Subtil /João Coelho Director: Alexandre Azinheira Photography Director: António Morais Production Assistant: Maria Inês Subtil Plateux Assistant: Daniel Silva & Alexandra Pimentel Thank You: Tânia Albuquerque / Best Models / MatosinhosSport / Câmara Municipal de Matosinhos
Video Concept: "Designed in 1966 by Pritzker Prize winner Álvaro Siza, the Tidal Swimming Pool in Leça da Palmeira, is such an overwhelming place that we ended up deciding an action to go with the place instead of the default opposite. We focused on the chorus line ‘Fake is Alright’ to divise a simple single action and see how far we could stretch a brief moment in time. The result is a one-way repetitive, minimal and ambiguous movement. Just like the sea tides."
Gray whale Now that we are sending you to The End That great god Tell him That we who follow you invented forgiveness And forgive nothing
I write as though you could understand And I could say it One must always pretend something Among the dying When you have left the seas nodding on their stalks Empty of you Tell him that we were made On another day The bewilderment will diminish like an echo
Winding along your inner mountains Unheard by us And find its way out Leaving behind it the future Dead And ours
When you will not see again The whale calves trying the light Consider what you will find in the black garden And its court The sea cows the Great Auks the gorillas The irreplaceable hosts ranged countless And foreordaining as stars Our sacrifices
Join your word to theirs Tell him That it is we who are important
Before the Flood, directed by Fisher Stevens, captures a three-year personal journey alongside Academy Award-winning actor and U.N. Messenger of Peace Leonardo DiCaprio as he interviews individuals from every facet of society in both developing and developed nations who provide unique, impassioned and pragmatic views on what must be done today and in the future to prevent catastrophic disruption of life on our planet.
Join us for a fly-through of the International Space Station. Produced by Harmonic exclusively for NASA TV UHD, the footage was shot in Ultra High Definition (4K) using a fisheye lens for extreme focus and depth of field.
A rough sound was polished until it became a smoother sound, which was polished until it became music. Then the music was polished until it became the memory of a night in Venice when tears of the sea fell from the Bridge of Sighs, which in turn was polished until it ceased to be and in its place stood the empty home of a heart in trouble. Then suddenly there was sun and the music came back and traffic was moving and off in the distance, at the edge of the city, a long line of clouds appeared, and there was thunder, which, however menacing, would become music, and the memory of what happened after Venice would begin, and what happened after the home of the troubled heart broke in two would also begin.
Junior Boys - Kiss Me All Night EP - Out Now Produced with the financial assistance of MuchFACT, a division of Bell Media Inc. www.muchfact.ca Produced by: Part & Parcel Co. Directed by: Sophia Peer Director of Photography: Adrian Vieni Production Coordinator: Shada Morris 1st AC: Calvin D'Souza 2nd AC/DIT: Clara Chan Grip: Nigel Turgeon-Mannion Swing: Charles Hutchings Stylist: Murphy Macdonald-Rea Production Designer: Matt Bianchi MUA: Alison Sharp PA: Max Sims Second Unit Cinematographer (cloud footage): Forest Erwin Editor: Matt Posey Animation: Jay Liquori 3D Animation: Fabricio Lima Colorist: Nikola Mrdalj Talent: Natalie Peirano, Mauro Primorac, Cynthia Stone, David Phillips
Special Thanks: Karen Azoulay, Ryan Dickie, Millie Kapp, Erica Magrey, George McCracken, Alexis Powell, Rachel Rabhan, Will Rahilly, Derick Rhodes, Nicole Schneit, Annie Sicherman, Kayla Soyer-Stein, Brina Thurston