Born 1971 in Jerusalem, Israel, Elinor Carucci graduated in 1995 from Bezalel Academy of Arts and Design with a degree in photography, and moved to New York that same year. In a relatively short amount of time, her work has been included in an impressive amount of solo and group exhibitions worldwide, solo shows include Edwynn Houk gallery, Fifty One Fine Art Gallery, James Hyman and Gagosian Gallery, London among others and group show include The Museum of Modern Art New York and The Photographers' Gallery, London.
Her photographs are included in the collections of The Museum of Modern Art New York, the Brooklyn Museum of Art, Houston Museum of Fine Art, among others and her work appeared in The New York Times Magazine, The New Yorker, Details, New York Magazine, W, Aperture, ARTnews and many more publications.
She was awarded the International Center of Photographyâ€™s Infinity Award for Young Photographer in 2001, The Guggenheim Fellowship in 2002 and NYFA in 2010. Carucci has published two monographs to date, Closer, Chronicle Books 2002 and Diary of a dancer, SteidlMack 2005. Carucci currently teaches at the graduate program of photography at School of Visual Arts and represented by Edwynn Houk Gallery.
In winter of 2013/2014 Prestel publishing published her third monograph, MOTHER, portraying nearly a decade of her motherhood project. A solo show of this work was exhibited at Edwynn Houk Gallery in NYC in March 2014 and is currently up at MoCP Chicago.
William Gale Gedney (October 29, 1932 – June 23, 1989) was an American documentary and street photographer. It wasn't until after his death that his work gained momentum and his work is now widely recognized. He is most remembered for his series of rural Kentucky, and series on India, San Francisco and New York shot in 1960s and 1970s.
Love is one of life’s mysteries. It is something that most can relate to and yet there is no one emotion that defines it. Love can bring elation, but it can also bring despair. For portrait photographer Laura Pannack, it is the mysterious and multifarious nature of love that draws her to the topic.
In2012, Pannack began collating a series of portraits of teenage couples. Young Lovewas born out of Pannack’s wider exploration into the misrepresentation of youth and investigates how a “relationship free of worry, responsibility, experience and future plans can ultimately lead to one of fun and intimacy.”
After working internationally with several of the world’s leading fashion photographers, Baud set out to find his own style of shooting. His favoured working practice has developed into a totally unique process, shooting large format, 10x8 paper negatives.
A native Londoner, Baud continues to live and work in London
There is a legend in Mindelo, in the island of São Vicente, which says that those who sit on a specific stone in the neighborhood of Font Flip, will became gay. It was in this neighborhood that I met Steffy and seven of his friends: Edinha, Gi, Elton, Sindji, Susy, Henio and Jason. These boys, aged between seventeen and twenty-five years are transgender, inasmuch that they like to wear women`s clothing, make up, and to be called by women`s names. Faced by this specific situation in Cape Verde, and the significance of this stone, I decided to entitle this work Quel Pedra, which is Creole for That Stone.
There is a high degree of intolerance towards homosexuals in many African countries, in some cases motivated by religious beliefs, others out of ignorance. Many Africans are forced to immigrate to Europe due to their inability to live their sexuality freely. Sexual relations between persons of the same sex were only legalized in 2004 in Cape Verde. Until then, it was a crime to have a homosexual relationship. In twelve years, the law has changed, but the discrimination persists. In 2013, a year before I met this group of friends, the first Gay Parade was held in Mindelo.
Given these facts, I was interested in living in this community, in order to understand their dreams, frustrations, hopes and fears. Where their courage and attitude came from. I was with them in two separate moments; one in late 2014 and in March 2016. It was interesting to see how much has changed in the lives of these Cape Verdian youngsters, and in what manner.
The idea of this work is to confront the viewer with their own prejudices, challenging the conventions and standards concerning the identity of the human being. Simone de Beauvoir once said: “One is not born, but rather becomes, a woman”, perhaps the aim of this work is to unveil what it means to be woman today.
Catwalk in “Fortim d'El-Rei” (the “King`s Fort). Mindelo. S. Vicente. Cape Verde (2014) Performance by: Edinha, Steffy, Elton, Sindji e Jason Prodution Assistant: Evanilda Napoleão Pós-Produção: João Nunes Video made for the International photo Festival in Cape Verde, with the support of the Calouste Gulbenkian Foundation and presented in Hamburg Photo Triennial in 2015 and in the Berardo Museum in 2016.
A tripulação do Noddy participa na Governor’s Cup de Cheasapeake Bay. Os marinheiros escolheram usar um equipamento do início do século XX. Da idade do barco. A fotografia é de Robert W. Madden, fotógrafo da National Geographic durante longos anos.
I was born in the village of Sergeyevichi in 1965. At that time the village was in the Soviet Union - now it is in the Republic of Belarus. Space flight was already under way, and my father liked it when my mother put on high-heeled shoes and styled her hair into a "babetta" for village festivals.
My father and elder brother taught me how to work, while my mother and younger brother indulged my penchant for the arts and sciences. At school I was friendly with the history teachers Galina Drozd and Natalia Demidova. On dark winter evenings Galina would often tell me about her sailor nephew's voyages around the world. When I left school at 16, I went to study at the Admiral Makarov Naval Academy in St. Petersburg (then Leningrad).
I graduated from the Academy with distinction, thanks to Professor Vladlen Adamenko, but I did not spend much time at sea. I met the writers Sergey Kalinin and Catherine Phillips, and began to write myself, with encouragement from the artist Bella Matveyeva.
Just before the year 2000 I became interested in old photography. My new friends, the wonderful stylist Katharina Flohr and the well-respected photographer Neil Kirk, realised the seriousness of my intentions and said "You should take pictures yourself!". I started doing just that. And my first experiments were supported by Olga Sviblova at the Moscow House of Photography and Carine Roitfeld.
Keiko Nomura (Kobe, Japan) studied photography in Los Angeles and graduated from Visual Arts College Osaka. Before that, she left the Department of English, Doshisha Women’s College of Liberal Arts without a diploma. She has published 6 books. Nomura received the Newcomer’s Award from the Photographic Society of Japan in 1999 and New Photographer Prize at the 16th Higashikawa International Photography Festival in 2000 and has been exhibiting regularly in Japan in the last years. Women and water have been the motifs in her overarching theme of life’s infinite cycle beyond time and space.