“Fazer este disco foi a coisa mais difícil que eu já fiz na vida” (Benjamim)
Verão de 2015. Quatro amigos partem na mais longa digressão de datas consecutivas de que há memória na história da música portuguesa. 5670 kms a bordo de uma carrinha Volkswagen Golf de 1996. Benjamim viajou do coreto de Alvito até à Gafanha da Nazaré, com etapa especial no Festival Bons Sons, na aldeia de Cem Soldos. A acompanhá-lo na estrada, António Vasconcelos Dias, músico da banda, Manuel San Payo, técnico de som e Gonçalo Pôla, realizador-documentarista.
Gonçalo, o homem da câmara, captou a estrada nacional, a auto-estrada, os concertos, os ensaios de som, os quartos de hotel, as pensões, as discussões, a condução segura, os mergulhos na piscina e a chuva que se abateu sobre o palco. Isto para além das muitas entrevistas, das horas de sessões de gravação do disco – desde a sua concepção – e o desespero da busca pela escrita em português, território novo para o escritor de canções que até aí só assinava em inglês.
Tal como o disco, o filme “Auto Rádio” é uma viagem pelo país, pelas canções e pela música. Fala sobre Afife, sobre a Guiné, sobre concertos esquecidos no terreiro da Aldeia da Pedralva ou sobre fazer música em Portugal; é uma ode à dureza da estrada, aos concertos falhados, aos bem sucedidos, aos discos, à rádio, ao Verão e ao país, enquanto conta a aventura insólita de uma longa jornada por Portugal quase inteiro numa carrinha carregada de equipamento até ao tejadilho. Além disso, como documentário que é, mostra-nos inúmeros detalhes sobre as canções; descodifica-as e contextualiza-as.
A estrutura narrativa parte dos 12 temas do álbum, das múltiplas entrevistas dadas em estações de rádio um pouco por todo o lado, e do discurso directo de pessoas importantes para o disco: AP Braga, João Paulo Feliciano, Henrique Amaro e Luís Oliveira da Antena 3 ou Pedro Ramos da Radar FM.
“Auto Rádio” Duração: 90 minutos
Realização: Gonçalo Pôla
Com: Benjamim, António Vasconcelos Dias, Manuel San Payo, Nuno Lucas, João Vaz Silva, João Correia, AP Braga, Henrique Amaro, Pedro Ramos, João Paulo Feliciano, Luís Oliveira, entre outros. Montagem: Gonçalo Pôla e Luís Nunes Mistura de Som: Manuel San Payo
Bayard & Me is a short doc about how the openly gay civil rights activist Bayard Rustin, best known for organizing the March on Washington and advising Martin Luther King, adopted his partner Walter Naegle in the 1980s for legal protections. In this intimate love story, Walter remembers Bayard and how they had to work around the system in an era when gay marriage was inconceivable. He also reflects on the little known phenomena of intergenerational gay adoption and its connection to the civil rights movement.
Matt Wolf is an award-winning filmmaker in New York. His film include Wild Combination about the avant-garde cellist and disco producer Arthur Russell and Teenage about the birth of youth culture. His most recent shorts include HBO’s It’s Me, Hilary and The Face of AIDS for TIME Magazine.
Super Deluxe is an omni-platform entertainment company committed to amplifying unconventional creative voices. With online video for social feeds, television series, documentaries, interactive live experiences, and consumer-facing tech products, Super Deluxe talks to a generation of insatiably curious viewers who grew up clutching smartphones. Super Deluxe is a division of Turner, but it operates independently in Downtown LA.
Director: Matt Wolf Producer: Brendan Doyle DP: Pete Sillen Editor: Conor McBride Produced by SuperDeluxe and C41 Media
BEHIND EVERY GREAT FILM IS A GREAT COMPOSER. This celebratory documentary takes viewers inside the studios and recording sessions of Hollywood's most influential composers to give a privileged look inside the musical challenges and creative secrecy of a truly international music genre: the film score.
An Epicleff Media Production. Directed by Matt Schrader. Produced by Robert Kraft, Trevor Thompson, Kenny Holmes, Nate Gold, Jonathan Willbanks. Distributed by Gravitas Ventures.
STARRING: Hans Zimmer, Danny Elfman, John Williams, James Cameron, Trent Reznor, Rachel Portman, Randy Newman, Howard Shore, Quincy Jones, Junkie XL (Tom Holkenborg), Alexandre Desplat, Harry Gregson-Williams, Brian Tyler, Joe Kraemer, Heitor Pereira, Steve Jablonsky, Thomas Newman, Patrick Doyle, John Powell, Bear McCreary, Moby, Garry Marshall, Trevor Rabin, Henry Jackman, Jerry Goldsmith, John Debney, Steven Spielberg, Marco Beltrami, Christophe Beck, Tyler Bates, David Arnold, Christopher Young, James Horner, Dario Marianelli, Leonard Maltin, Robert Kraft, David Newman, Mychael Danna, Elliot Goldenthal, Bernard Herrmann, Conrad Pope, Alfred Newman, Atticus Ross, Joseph Trapanese, Max Steiner, Mervyn Warren, Bill Field, Christopher Lennertz, Deborah Lurie, Siu-Lan Tan, J. Ralph, Buck Sanders, Jon Burlingame, Richard Kraft, Amos Newman, JAC Redford, Doreen Ringer Ross, Robert Townson, Shawn Lemone, Mitchell Leib, Paul Broucek.
Screenings: 2016 Hot Docs Film Festival premiere 2016 Rooftop Films 2016 Vassar Filmfest 2016 Iron Mule Film Festival 2017 Sarasota Film Festival
Synopsis: When I was leaving for college, my aunt Dana told me I had a cousin I’d never met who was matriculating in the same year as me. We shared classes and had friends in common but for some strange reason I never introduced myself. All during college, and then into the real world, through a decade of overlapping connections, we never met. This film is an examination of that hesitation and an attempt to understand why I never made the easiest connection in the world… until it was too late. Through archival footage and re-enactment of the era in question, IDAC is ultimately a documentary about what was happening on an unconscious level and how distant a relative can be even when they’re right in front of your face.
Written/Directed/Edited by Casimir Nozkowski Music by Alexander Strung Sound Mix by Tod Chapman Color Grading by Phil Choe @ Nice Shoes Featuring Hannah Bos, Amanda Duarte, Erin Edmison, Josh Henderson-Cox, Greg Glassman, Thomas Nozkowski, Joyce Robins Thank you Miranda Beverly-Whittemore
Production Notes: I've made over 100 short films, many of which examine issues of family, the blurry line between fiction and non-fiction and the sometimes disturbing, sometimes hilarious ways our memories fail us. IDAC is an autobiographical documentary which is a genre my movies (or at least parts of them) often fall into. The key with autobiography in my opinion is to avoid being sentimental at all costs. This does not mean you can’t be funny or can’t be authentic and personal – it’s just that it being your story does not automatically make it interesting. On top of that, IDAC also considers the way we dream and the way dreams can invade our everyday life – which is another subject matter that can easily steer a film awry. So making IDAC was exciting because once mindful of all these pitfalls, there was an enormous feeling of restraint that coursed through the documentary’s production. My hope is that people who see my film IDAC recognize familiar moments and feelings from their own lives: memories they can’t quite explain, people they think they know and dramatic, life-defining events that upon further scrutiny don’t exactly add up as neatly as they once thought.
4.1 Miles is a 2016 short documentary film about a coast guard captain on a remote Greek island who is charged with the saving thousands of migrants crossing the Aegean Sea during the European migrant crisis. The film is directed by Daphne Matziaraki and nominated for a 2017 Academy Award.
"O nosso objectivo ao fazer este filme era de certa forma uma experiência psicológica: queríamos captar a forma como as pessoas encaram uma situação difícil, para retratar seres humanos em dúvida. Já todos vimos actores a representar a dúvida em filmes de ficção, mas temos poucas imagens genuínas desse sentimento em documentários. Para as criar, decidimos colocar pessoas numa situação suficientemente poderosa que dispensasse qualquer estrutura narrativa clássica. Um salto de uma grande altura pareceu-nos o cenário perfeito." (Maximilien Van Aertryck e Axel Danielson)
In his new film, director Raoul Peck envisions the book James Baldwin never finished - a radical narration about race in America, using the writer's original words. He draws upon James Baldwin's notes on the lives and assassinations of Medgar Evers, Malcolm X, and Martin Luther King Jr. to explore and bring a fresh and radical perspective to the current racial narrative in America.
"One of the best movies you are likely to see this year." - Manohla Dargis, The New York Times
808, the heart of the beat that changed music. The acclaimed documentary that chronicles the incredible legacy of the TR808 drum machine will be exclusively available on Apple Music December 9th 2016. Discover the iconic records, artists and producers influenced by the 808's unique beats and find out the secret behind its sudden discontinuation.
A film by Fabio Petronilli - OUP once upon a place / films
In recent years, Lisbon has become one of the European Cities with the larger tourism growth. Each year, 6 million people come to visit the Portuguese capital: 200.000 tourists every day. Tourism brings opportunities in a city heavily hit by global crisis: about 15% of Portugal domestic product and 8% jobs in Portugal, nowadays are related with tourism. But in the meanwhile, the city is basically disappearing: over the last 30 years, Lisbon lost about 300.000 inhabitants, vacancy rate in the traditional centre is over 40%, about 5.000 buildings are disused, and today only 12.000 persons live in the city center. In April 2016, STADSLAB (Urban Design Laboratory of Tilburg University - Amsterdam) organized an international Masterclass on City Making & Tourism Gentrification for professionals and graduates: the urban intervention case-study was focused on Mouraria, one of the oldest Lisbon's neighborhood. Originated as a 13th century Moorish neighborhood and remained a marginal, multicultural and poor downtown area, nowadays, parts of Mouraria are already affected by tourism: cheap property prices and proximity to other tourist destinations raise realistic assumptions that Mouraria will soon face large influx of investment in real estate and tourism infrastructure. The opportunity is its economical development, but the risk is the lost of its identity.
STADSLAB - Masterclass on City Making & Tourism Gentrification - Lisbon, 15-22 April in partnership with Academia Cidadã