Tom Huizenga | November 18, 2016 - Classical music observers say we're living in a golden age of string quartets. It's hard to disagree when you hear the vibrant young players in New York's Attacca Quartet.
They revere the old school, having recently completed a performance cycle of all 68 string quartets by Joseph Haydn, the man who invented the genre. They also hunger for the new, exploring the music of three living composers each year in a project called Recently Added.
One contemporary composer the group continues to champion is John Adams. The head-banging pulsations of "Toot Nipple" (titled after a character in an Annie Proulx story) contrast with the slippery and funky episodes in "Alligator Escalator." Adams has said he imagined such a creature waddling up and down the floors of Macy's department store. The two movements belong to John's Book of Alleged Dances from 1994.
Next to Adams, Haydn sounds positively genteel, but you needn't look far to find the composer's own feisty side. Sunny skies suddenly turn threatening at the turn of a phrase — a trend in Haydn's time known as Sturm und Drang, or "Storm and Stress" — when moods can swing wildly with impunity.
Measured by the cello's tick-tock pizzicato, the mood of Michael Ippolito's Smoke Rings is languid, even a little trippy. Inspired by a 14th-century French song about a smoking society, the composer employs long, slow strokes and light bow pressure for a hazy texture. The music heats up dramatically midway through, only to drift back into the smoke.
New England Conservatory's Calderwood Director of Orchestras Hugh Wolff leads the NEC Philharmonia and Artist Diploma violinist Alexi Kenney in a performance of John Adams' Concerto for Violin in Boston's historic Symphony Hall. Recorded live April 27, 2016.
Há momentos em que as coincidências acontecem. A verdade é que já tinha comprado bilhetes para este concerto quando li o livro do Salman Rushdie (já com tradução portuguesa) mas agora que volto a pensar nisso, Xerazade e os seus Jinns andam a aparecer bastante na minha vida. Diz a apresentação do concerto:
Essential American composer John Adams brings his own take on storytelling to the Barbican including a new dramatic symphony for violin and orchestra.
Performed by close collaborator and new music champion Leila Josefowicz, Adam’s latest work takes the idea of the original Scheherazade into the present day and “imagines a modern woman storyteller/hostage whose strength of character and powers of endurance are tested over and over”. There are more traditional tales to be told in the first half with Ravel’s youthful ballet score Mother Goose, featuring Sleeping Beauty, Tom Thumb and Beauty and the Beast.
Para a semana vou, então, ouvir "Scheherazade.2" de John Adams, um dos meus compositores contemporâneos favoritos, dirigida pelo próprio, com uma primeira parte dedicada a Ravel. A peça teve estreia mundial em Nova Iorque com Alan Gilbert a dirigir a New York Philharmonic e está aqui abaixo a partir do minuto 55.
Leila Josefowicz is the soloist in the World Premiere of Scheherazade.2 by John Adams. Also featured is The Enchanted Lake by Anatoly Lyadov and Petrushka by Igor Stravinsky. Music Director Alan Gilbert conducts. The program is hosted by Alec Baldwin and produced by Mark Travis.
00:00:00: Billboard and intro to Lyadov 00:02:00: LYADOV: The Enchanted Lake 00:09:05: Back-announcement and intro to Stravinsky 00:11:39: STRAVINSKY: Petrushka 00:47:20: Back-announcement and intro to Adams 00:55:45: ADAMS: Scheherazade.2 01:44:59: Back-announcement and credits TRT: 01:47:15
Best known for once bringing modern American music to all fifty states out of his Hyundai, 2012 American Pianists Association Classical Fellowship Award Nominee Adam Tendler returns to the Rothko Chapel to present "Night Thoughts," a recital of meditative modern American music composed in the spirit of homage and dedication, including works by John Cage, whose centenary is 2012. The program also includes works by Charles Ives, David Lang, Samuel Barber, John Adams, and Aaron Copland. Tendler will perform as a premiere suite Ned Rorem’s complete published piano music composed for James Holmes, Rorem’s late partner. Tendler will also present works of his own, including the Houston premiere of his experimental homage to Tim McGraw, “only every other memory.”