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luís soares

Blog do escritor Luís Soares


Track taken from "Marseille" - Ahmad Jamal NEW ALBUM // OUT : June 2017 on Jazz Village
Images : Julien Caja / Giant Steps Medias
Ahmad Jamal : Piano
James Cammack : Double Bass
Herlin Riley : Drums
Manolo Badrena : Percussions
Abd Al Malik : Vocals
℗ et © 2017 harmonia mundi musique S.A.S. | JazzVillage, a label of [PIAS]

Produced by Ahmad Jamal, Catherine Vallon-Barry & Seydou Barry
Recorded in July 2016 by Vincent Mahey, studio Sextan, Malakoff, France
Mixed in August 2016 by Vincent Mahey, Studio Sextan, Malakoff, France
Mastered in January 2017 by Raphaël Jonin, J RAPH i.n.g, Cordes-sur-Ciel, France
Executive Producers : Seydou Barry / Jazzbook Records and Pascal Bussy

Piano provided by Steinway & Sons

Chick Corea & Gary Burton: Tiny Desk Concert

June 13, 2016 by SURAYA MOHAMED • Sometimes big-name artists need special attention. But in this case, it wasn't because they've been jazz pioneers and innovators since the 1960s and are considered to be founding fathers of jazz fusion, not to mention two of the most important jazz figures performing today. It's not because they've collectively recorded more than 100 albums and won 29 Grammy Awards. The agitation was because both of their instruments couldn't fit behind Bob Boilen's Tiny Desk.

There were logistical hurdles to overcome before the jazz giants' arrival. We had to move the desk to make a bigger "stage." Piano movers hauled the 900-pound Yamaha C7 grand piano from our first-floor performance studio up the freight elevator to the fourth-floor Tiny Desk area. But weeks of meticulous measuring and planning paid off when the rented vibes were delivered and just fit alongside the piano.

Gary Burton and Chick Corea were in town for the 2016 NEA Jazz Masters Concert. The NEA Jazz Masters fellowship is the highest honor our nation bestows on jazz artists. Each year, the program honors a select few living legends who have made exceptional contributions to the advancement of jazz. Burton was a newly appointed 2016 recipient, while Corea received the honor in 2006.

These friends first played together 44 years ago, when they recorded their very first album, Crystal Silence. In his autobiography, Gary Burton tells the story:

We set aside three days for the recording. Except for ... one tune in Munich, Chick and I hadn't worked together before Berlin, so we figured we would need a fair amount of time to choose songs and finalize arrangements. But to our amazement, it all went incredibly fast. We would spend maybe twenty minutes creating an arrangement, and then record. We did every song in just one take, except that we required a second spin through "Senor Mouse."
The record was finished in just a few hours, and the two realized they had a unique musical chemistry with the ability to anticipate each other's improvisational ideas. That album went on to become a classic: flawless yet fresh and forever new.

A few thousand concerts later, the jazz masters showed up at NPR HQ to perform a concert at our newly expanded Tiny Desk. On this day, it had been almost two years since Chick Corea and Gary Burton had played together — the longest break they'd ever had. But once again, their remarkable ability to connect was demonstrated in two songs they play together all the time.


"Love Castle"
"Crystal Silence"

Producers: Suraya Mohamed, Niki Walker; Audio Engineer: Josh Rogosin; Videographers: Niki Walker, Kara Frame, Morgan McCloy; Production Assistant: Jackson Sinnenberg; Photo: Brandon Chew/NPR.

Beethoven In Havana

Beethoven's 7th, Movement 2, performed in a Cuban Rumba style, with all instruments created from the piano itself.


Arranged and Recorded by Joachim Horsley
Directed by Michael Matzdorff
Camera: Mike Matzdorff, Lisa Perry
Edit and Color: Joachim Horsley, Mike Matzdorff

Yuja does Rach Two

Yuja Wang plays Rachmaninoff: Piano Concerto No. 2 in C minor, Opus18


I. Moderato 0:35
II. Adagio sostenuto 11:23
III. Allegro scherzando 22:25


Yuja Wang, piano // Yuri Temirkanov, conductor // Verbier Festival Orchestra.


"Good old Rachmaninov! The Second Piano Concerto: it never fails!", as Mr. Sherman so succinctly puts it in Billy Wilder's "The Seven Year Itch".