Nunca na vida pensaste em mudar, Porque não era amor, Nem sequer era amor, Mesmo de alma quebrada, de unhas gastas na pedra do tempo, Não te serve o castigo nem te dobra a dentada da moral Quem sabe assim, alguma luz ainda sobre no final?
Não sei expressar o que dói sendo que a tua partida é minha Culpa. Era amor, só por amor te podia agarrar Mesmo quando estás por perto faz-me falta a tua ausência É amor, só por amor me prometi contrariar.
Nunca, na raiva, no grito, pensei em cair Porque não era amor, Nem sequer era amor. Mesmo frio de desejo ou de boca em chama no teu corpo Não me serve o silêncio e pouco mais retiro da partilha E acho graça a qualquer luz ao vermos que o sol já não brilha.
Dei ouvidos a fantasmas, acreditei em visões Por amor, só por amor fiz ressoar tambores de Mavorte Contra mim mesmo actuei ao entrar no labirinto do amor, só por amor não resisti à nossa sorte.
(Nunca na sombra, no abismo, na cisma, Nunca na raiva, no dedo apontado Nunca na espera, no peito fechado Sempre na luz, no amor como prisma Nunca na ponta da faca, da flecha Nunca no prego, na cruz ou na lança Nunca na morte, na desconfiança Sempre na luz, no amor como brecha )
E se o amor não chega Nada vai chegar
FICHA TÉCNICA
ÁUDIO: Música e Letra: UM CORPO ESTRANHO Convidada: A GAROTA NÃO Mistura e Masterização: SÉRGIO MENDES 2021 MALAFAMADO RECORDS
VíDEO: Produzido por GARAGEM e SOUZA FILMES Um Filme de ANTÓNIO ALEIXO Fotografia de JOÃO BERNARDO SOUZA Primeiro Assistente de Câmara LISA PERSSON Gaffer e Grip JOÃO BORDEIRA Com JOÃO MOTA, CÁTIA MAZARI OLIVEIRA, PEDRO FRANCO e SÉRGIO MIENDES
Agradecimento Especial a RITA BATISTA, MARTA e NUNO
One more time Let’s say you give me one more time One last chance to speak again Let’s start from what we left unsaid and here we go Brave enough to go climbing a wall so high that no sunlight is seen through winter Brave enough to go traveling around the world without money to eat or sleep for
Seeing what you can do with your hands and feet I feel there is no question about it: Almost anything you can imagine Almost any goal You will get there
I wish you had been more of a talker Not the kind that is just flapping his lips And not the kind that looks away But learns through his eyes when somebody is watching Maybe you could have told me There was a world on your shoulders that needed lifting Maybe I could have helped you with that The weight is not easy I know But you never know.
I thought your shoes were good I thought they would take you to the end of any road I thought your back was strong I should have carried you to the top of the rocky I trail I should have carried you to the top of the rocky trail
How am I to know about your problems and your load I am blind to what you show I am waiting to be told I never ask
How am I to know about your problems and your load I am blind to what you show I am waiting to be told I never ask
“The Darkness That You Fear is a hopeful piece of music. When we found the combination of the different voices worked set to the flow of the music it made us feel optimistic, like it was something we wanted to share.” - Tom Rowlands
The video is directed by @Ruffmercy “When I first heard the song I immediately connected with the theme and the overall positive vibe. New government rules for relaxing lockdown had been announced and combined with the sun shining, it left me feeling positive about the forthcoming summer. It also triggered a strong sense of nostalgia that led to me going back to look for visual inspiration from the period in time when I first discovered The Chemical Brothers in the mid ’90’s. The video combines archive rave footage from the mid to late 90’s with hand painted Super 8 film textures and hand drawn animation. I love using colour to create chaos and evoke emotions and this was the perfect project to do that.”
Director: RUFFMERCY @ruffmercy Production Company: @myaccompliceldn Executive Producer Jamie Clark Producer: Richard Grewe @richardgrewe Editor: Charlie Reddie @ Stitch @stitchediting Picture Researcher: Susi Paz Commissioner: Ailsa Robertson Directors Rep: Alexa Haywood @freeagentuk Additional Animation: Patch D. Keyes @patch_d_keyes Shouts outs to Little Kev and @kinolibrary
Vocal samples: Caroline Ellis on The Bugaloos’ “The Senses Of Our World” (1970) & John Ellison on “I’ll Be Loving You" by Soul Brothers Six (1967)
Amy Sherald (American b. Columbus, GA 1973, lives Baltimore) received her MFA in Painting from Maryland Institute College of Art (2004) and BA in Painting from Clark-Atlanta University (1997), and was a Spelman College International Artist-in-Residence in Portobelo, Panama (1997). In 2016, Sherald was the first woman to win the Outwin Boochever Portrait Competition grand prize; an accompanying exhibition, The Outwin 2016, has been on tour since 2016 and opened at the Kemper Museum, Kansas City, MO in October 2017. Sherald has had solo shows at venues including Monique Meloche Gallery, Chicago (2016); Reginald F. Lewis Museum, Baltimore (2013); and University of North Carolina, Sonja Haynes Stone Center, Chapel Hill (2011). In May 2018, she will present a solo exhibition at Contemporary Art Museum, St. Louis, MO. Group exhibitions include SouthernAccent, Nasher Museum of Art at Duke University, Durham, NC (2016), travelled to Speed Museum of Art, Louisville, KY (2017); and Face to Face: Los Angeles Collects Portraiture, California African American Museum, Los Angeles (2017). Residencies include Odd Nerdrum Private Study, Larvik, Norway (2005); Tong Xion Art Center, Beijing, China (2008); Creative Art Alliance, Baltimore (2016); and Joan Mitchell Foundation, New Orleans (2017). Public collections include Embassy of the United States, Dakar, Senegal; National Museum of Women in the Arts, Washington, D.C.; Smithsonian National Museum of African American History and Culture, Washington, D.C.; Smithsonian National Portrait Gallery, Washington, D.C.; The Columbus Museum, Columbus, GA; Kemper Museum of Contemporary Art, Kansas City, MO; and Nasher Museum of Art, Durham, NC.
Among the Native men, among the rush of rivers and mountains of Omak and Okanogan on the Colville Reservation in Northern Washington, where Fergus Thomas traveled to photograph a bare back horse relay and a ‘suicide” race, the word for horse is kəwáp and the word for the race is q̓ʷq̓ʷuƛ̕aʔxnm.
Genet was among the leading French writers of the twentieth century. Seeing himself as an outsider, he celebrated his homosexuality and criminal past in his work. He also wrote a short book on Giacometti. Like many of Giacometti’s portraits, this work uses a reduced palette of colours, and gradually builds its likeness of Genet with a series of small tentative brushstrokes. This technique creates a tense, shifting outline around the figure, which parallels the rough, highly-worked surfaces of Giacometti’s sculptures.
“Nothing was given, all was earned. Hold on to what belongs to you.” From Academy Award® winner Barry Jenkins and based on the Pulitzer Prize-winning novel by Colson Whitehead comes the Amazon Original limited series "The Underground Railroad". Premiering May 14 on Prime Video.
"Alive and Dying (Waving, Smiling)" the new song by Angel Olsen from 'Song of the Lark and Other Far Memories’, out May 7th on Jagjaguwar. // Footage shot by Conor Hagen and Michael Harris // Photographs by Cameron McCool and Kylie Coutts // Motion design by Chloe Hemingway
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