Metronomy - Salted Caramel Ice Cream (Official Music Video)
Director Joseph Mount
Exec producer Mayling Wong
Producer Molly McGregor
1st AD Tom Wynborne
2nd AD Jack Green
DoP Nic Booth
Art Director Benny Casey
Stylist Marion Casson
HMUA Charli Avery
HMU Assist Tabitha Thomas
Editor Thomas Bidgen at Final Cut
Colourist Jonny Thorpe @ Glassworks
Titles Matthias Peters
Label Because Music
Thanks to: Luminor Sign Co
Cast:Rodney Natalie Cash / Cild customer Aaylia Rose / Estate agent Samuel Coghlan White / Customer Stephanie Billers / Customer James Truscott
for the Geechee Gullah Ring Shouters
One of the women greeted me.
I love you, she said. She didn't
Know me, but I believed her,
And a terrible new ache
Rolled over in my chest,
Like in a room where the drapes
Have been swept back. I love you,
I love you, as she continued
Down the hall past other strangers,
Each feeling pierced suddenly
By pillars of heavy light.
I love you, throughout
The performance, in every
Handclap, every stomp.
I love you in the rusted iron
Chains someone was made
To drag until love let them be
Unclasped and left empty
In the center of the ring.
I love you in the water
Where they pretended to wade,
Singing that old blood-deep song
That dragged us to those banks
And cast us in. I love you,
The angles of it scraping at
Each throat, shouldering past
The swirling dust motes
In those beams of light
That whatever we now knew
We could let ourselves feel, knew
To climb. O Woods—O Dogs—
O Tree—O Gun—O
O Miraculous Many Gone—
O Lord—O Lord—O Lord—
Is this love the trouble you promised?
Jonathan Wateridge's paintings are elaborately crafted 'non-events' that have the trappings of a real occurrence but for the most part are entirely fabricated.
A significant part of his work over recent years has been to reconfigure or re-make a given scenario or found image. This involves building full-scale sets and using performers to enact roles, within the context of the studio, in order to set up questions about the way we frame and understand notions of the real.
His work initially employed painterly realism as a 'default setting' by which to view the world, curbing any excesses of style to emphasise not only the often fleeting, banal and everyday quality of the scenes depicted but also the nature of their construction.
More recently, this has given way to an increasingly lyrical use of paint which explores the tension between the social dimension of the figuration and the more formal and expressive qualities of the work.
Devendra Banhart's "Kantori Ongaku," from his new album, Ma, due September 13 on Nonesuch Records.
Director: Juliana and Nicky Giraffe
Director of Photography: Tyler Weinberger
Editor: Juliana and Nicky Giraffe
Production Company: Giraffe Studios Imagination Emporium
Jenny Saville - Shadow Head (2007-13)
Human perception of the body is so acute and knowledgeable that the smallest hint of a body can trigger recognition. —Jenny Saville
Bob Dylan - "One More Cup Of Coffee" live performance (1975)
Daniel Richter, Tarifa, 2001
Velvet Negroni - WINE GREEN (Live Video)
New album 'NEON BROWN' is released 30th August:
Linn da Quebrada & Lao - fake dói
Gravada nos estúdios NAAFI, Cidade do México
Vocais e composição: Linn da Quebrada
Mix e Master: Boss in Drama
Record Label: NAAFI
Direção e Pós produção vídeo: Pepapuke
Capa single versão digital: Pepapuke em Intervenção 3D + Ray Castelo
Apoio: Produtora Planalto
Produção Executiva: Sentidos Produções
Last night whistling I passed
by their alley, saw them in a
sidelong blink of light from
traffic, a speeding car, then
I went home. Dreamed of
gold skies, black money. I
felt so stupid, to talk
about them feels stupid. I’m
the sullen red Sun.
Bernadette leans from tenement
windows, sailors keep searching
world after world for
Bernadette, and her arms
are black, her outstretched
proffered palms all milky.
From them coins drop into
Pickpocket’s pockets freely.
Pickpocket’s face is pocked, his
arms are pocked. I threw
his face in a lake to make it
ripple, he smokes a
cigar to an orange hot hole in
his face, a glow. At night
the Sun’s a kid brought behind
the woodshed and abased.