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luís soares

Blog do escritor Luís Soares

Hoje na Gulbenkian

O muito aguardado regresso da pianista Martha Argerich ao Grande Auditório Gulbenkian concretiza-se na presente temporada com um concerto, a todos os títulos, especial: não apenas partilhará o palco com o altamente reputado Cuarteto Quiroga, como interpretará a solo, numa rara cedência a esse registo, uma Partita de Bach. Argerich, uma das pianistas mais brilhantes deste tempo e cujo nome está já cinzelado na história da interpretação musical, volta também a uma das obras que fixou com a sua musicalidade inebriante e a sua técnica admirável: o Quinteto com Piano de Schumann.

Casta Diva

The priestess Norma leads her people in a prayer for piece. Sonya Yoncheva sings the title role in Bellini's masterpiece, with the Royal Opera Chorus and the Orchestra of the Royal Opera House conducted by Antonio Pappano, recorded September 2016. Find out more at

Bellini’s bel canto masterpiece Norma had its premiere at La Scala, Milan, on Boxing Day 1831. After a muted initial response the opera quickly became popular, and is now a mainstay of the repertory. Norma is perhaps most acclaimed as a vehicle for the lead soprano, most famously now by such 20th-century greats as Maria Callas, Montserrat Caballé and Joan Sutherland. Indeed, Bellini provides some astonishing vocal fireworks for his title character – most famously ‘Casta diva’, Norma’s Act I hymn to the chaste moon, and Act II’s ‘Dormono entrambi’, as she contemplates the unthinkable act of killing her children. But the opera’s dramatic potency rests in its breathtaking ensembles, most strikingly in Norma’s duets with Pollione and Adalgisa, the Act I trio ‘Vanne, sì: mi lascia, indegno’ and the blistering Act II finale.

This new production of Norma was The Royal Opera’s first in nearly thirty years. Directing is Àlex Ollé, of the Catalan collective La Fura dels Baus, reunited with the creative team behind his acclaimed production of Oedipe. They give Norma a contemporary setting against a backdrop of a cruel civil war, and focus on the opera’s exploration of the conflict between an individual’s own desires and those of her society – and of religion as a force for unity and for destruction.