"SPOSA SON DISPREZZATA" by Giacomelli and Vivaldi.
Scenic concert "Setaro, el constructor de utopías" concieved by Mario Pontiggia with Vivica Genaux, Borja Quiza and Orquestra Barroca de Mateus, directed by Ricardo Bernardes. This project was organized by Casa de Mateus Foundation (Portugal) and Amigos de la Ópera de A Coruña (Spain). The concert tells the amazing story of the "impresario" Nicola Setaro that brought the Italian opera to Spain and Portugal in the mid-eighteenth century.
ORQUESTRA BARROCA DE MATEUS Ricardo Bernardes – direcção musical Violinos I: Tera Shimizu, Elena Vasquez Ledo, Boyana Maynalovska Violinos II: Álvaro Pinto, Philip Yeeles Viola: Maria Pampano Violoncelo: Raquel Reis Contrabaixo: Tiago Pinto-Ribeiro Oboé: Fabio D’Onofrio Trompas: Edouard Guittet, Jorge Fuentes Arce Cravo: Catarina Sousa Tiorba: Pedro Martins Bandolin: António Vieira
On the occasion of the DG120 festivities, Max Richter plays in Hong Kong for the first time. Listen to “Winter 1 and 2” from his album ´Recomposed by Max Richter´. For this piece, he is accompanied by the Hong Kong Philharmonic Orchestra and violinist Mari Samuelsen.
Listen to “On the Nature of Daylight” from his albums The Blue Notebooks and Voyager. For this piece, he is accompanied by the Hong Kong Philharmonic Orchestra and violinist Mari Samuelsen.
Short Movie Director: Marco Boarino Short Movie Associate Directors & Production: Setteventi
Performed by Delphine Galou with Accademia Bizantina Ottavio Dantone, conductor with: Delphine Galou, Alto Alessandro Tampieri, Andrea Rognoni, Lisa Kawata Ferguson, violins I Ana Liz Ojeda Hernandez, Paolo Zinzani, Mauro Massa, violins II Diego Mecca, Alice Bisanti, altos Mauro Valli, Paolo Ballanti, cellos Nicola Dal Maso, double basses Tiziano Bagnati, lute OTTAVIO DANTONE, harpsichord, organ and conductor
Realizzato da Philippe Béziat // Concerto Italiano - Rinaldo Alessandrini - Sara Mingardo
Antonio Vivaldi wrote at least three settings of the hymn Gloria in excelsis Deo, whose words date probably from the 4th Century and which is an integral part of the Ordinary of the Mass. Two survive: RV 588 and RV 589. A third, RV 590, is mentioned only in the Kreuzherren catalogue and presumed lost. The RV 589 Gloria is a familiar and popular piece among sacred works by Vivaldi. It was probably written at about the same time as the RV 588, possibly in 1715.