Daniil Trifonov performs Sergei Rachmaninoff's Piano Concerto No. 3 in D minor opus 30 with the Orchestre Philharmonique de Radio France conducted by Myung-Whun Chung. Live recording on June 19, 2015 at the Philharmonie de Paris.
01:20 1st movement : Allegro ma non troppo
20:02 2nd movement : Intermezzo Adagio
31:09 3rd movement : Finale Alla breve
Rachmaninoff’s Third Piano Concerto is one of the most challenging works of the piano repertoire. Despite the seeming simplicity of the first theme, it requires a great virtuosity from the performers, especially for the cadenza in the first movement. After playing it for the first time in a concert on 1909, Rachmaninov himself couldn’t play any other piece, because his fingers were suffering.
Jan. 12, 2018 | Tom Huizenga -- When we invited Russian pianist Daniil Trifonov to play a Tiny Desk concert, we rolled out the big guns. In place of the trusty upright, we wedged a 7-foot grand piano behind Bob Boilen's desk in preparation for the artist who The Times of London called "without question the most astounding pianist of our age."
That's a pretty lofty claim, but watch and judge for yourself. His performance here is extraordinary. Still in his 20s, Trifonov seems to have it all: jaw-dropping technique and interpretive skills beyond his age. He's also a composer — the night before his NPR visit, he played his own knuckle-twisting piano concerto at the Kennedy Center here in Washington, D.C.
But for his Tiny Desk show, Trifonov focused on Chopin, beginning with the mercurial "Fantaisie-Impromptu" in C-sharp minor, a work that mixes sweeping melody, turbulent passion and wistful repose. Hunching close over the keyboard with feline agility, Trifonov's slender fingers glide effortlessly. He coaxes the instrument to sing tenderly in the slow central section.
Trifonov follows with a pair of short tributes to Chopin by his peers. Robert Schumann's "Chopin" accentuates the lyrical side of Chopin, filtered through the German composer's forward-looking harmonies, while Edvard Grieg's "Hommage à Chopin" offers volatility, lovingly rendered.
The smartly programmed set is capped with more Chopin, but with a nod to Mozart: the finale from a set of variations based on an aria from Don Giovanni. It gives Trifonov a chance to display his lightness of touch, plus a few pianistic fireworks. Smiling, he treats the tricky filigreed runs and hand crossings as if it were a child's game. Look closely and you can see the piano shake.
(Daniil Trifonov appears courtesy of Deutsche Grammophon GmbH.)
Chopin: "Fantaisie-Impromptu, Op. 66"
Schumann: "Chopin. Agitato" (from Carnaval)
Grieg: "Hommage à Chopin, Op. 73, No. 5"
Chopin: "Variations on 'Là ci darem la mano' (from Mozart's Don Giovanni) - Coda. Alla Polacca"
*(Selections found on the album Chopin Evocations.)
MUSICIAN Daniil Trifonov (piano)
CREDITS Producers: Tom Huizenga, Morgan Noelle Smith; Creative Director: Bob Boilen; Audio Engineer: Josh Rogosin; Videographers: Morgan Noelle Smith, Alyse Young; Assistant Editor: Alyse Young; Photo: Jenna Sterner/NPR
Daniil Trifonov stands for virtuosity, musical poetry and evocative power. He is the world’s top young pianist today - and the music of Chopin is close to his heart.
His new album "Chopin Evocations" is one of the most exciting recordings of 2017: two-and-a-half hours of music uniting Chopin's two beautiful piano concertos with Chopin solo works and pieces by Mompou, Schumann, Tchaikovsky, Grieg and Barber paying homage to the genius Chopin who, in Trifonov's words, "revolutionized the expressive horizons of the piano."
Daniil Trifonov – Franz Liszt – 3 Etudes de Concert, S.144, No.3 In D-Flat Major "Un sospiro" (Allegro affettuoso) – Live from Berlin, Yellow Lounge
Transcendental is the new solo release by Russian shooting star Daniil Trifonov. The repertoire is Liszt’s Complete Concert Etudes. These Etudes remain amongst the most challenging piano pieces ever composed – and are rarely recorded or performed.
Music video for No.3 In D-Flat "Un sospiro" (Allegro affettuoso). (C) 2017 Deutsche Grammophon GmbH, Berlin
Liszt’s 'Campanella' (or, to give it its proper name, the sixth of the Grandes études de Paganini) is famously one of the most difficult pieces ever written for piano. But no one seems to have told Daniil Trifonov.
The nickname Campanella means 'little bell' – because the melody of the piece comes from Paganini's Second Violin Concerto, which features a handbell.