With his long-term project Sin & Salvation in Baptist TownMatt Eich documented life in Baptist Town, one of Greenwood, Mississippi’s oldest African American neighborhoods, where the legacies of racism continue to impact the people economically and culturally. Sin & Salvation is the culmination of seven years of photographic work and engagement with the residents of the Baptist Town neighborhood. Consisting of both documentary portraiture and landscape, Eich narrates the long, twisted, and complicated history of Baptist Town into a contemporary context. Sin & Salvation is the second volume of Eich’s four-part photo series Invisible Yoke.
Originally from the Southside of Chicago, Dana Scruggs has been living and working in New York for the past 7 years.
In 2016 she launched SCRUGGS Magazine, a print publication dedicated to her vision of the male form. The magazine was a way for her to create editorial and creative content because none of the magazines that she approached would hire her. She wrote and photographed all of the content herself and the seminal issue became more akin to her visual diary and personal manifesto.
In the spring of 2018, after self assigning for almost six years - Dana was offered the opportunity to shoot ESPN's Body Issue, which was her first major breakthrough in the industry. Synonymously Dana then became the first Black female photographer to shoot an athlete for The Body Issue in it's 10 year history.
Dana broke down even more barriers when, in November of 2018, she became the first Black Person to photograph the cover of Rolling Stone Magazine in it's 50 year history.
Josef Schulz is a "photographer" of modern warehouses and factories - trite industrial buildings that nobody would want to consider to be of any major architectural interest. All over the world these buildings are mass-produced, built for all kinds of industrial production processes using identical plans and blueprints. Their exteriors offer no hint whatsoever of the specific purposes for which they are used, their façades vary only in terms of the materials selected - all of them pre-fabricated, such as slabs of concrete, corrugated sheet metal and other cheap building materials.
Toward the end of the session, Josef Breitenbach asked James Joyce if there were some special pose or gesture that he would wish recorded. Joyce thought for a moment, and raised his hand to his forehead. Then he let the hand pass over his eyes, covering them. When the hand cradled his nose and chin, Joyce indicated that this was the pose, and Breitenbach pressed the shutter.
From the portfolio “Ten Portraits” in Paris Review's Winter 1983 issue.
The beach town of Provincetown, Massachusetts, has long been defined by outsiders. A safe haven for the queer community and a getaway for artists, it is a place defined by openness and tolerance. Throughout the late 1970s and early ’80s Joel Meyerowitz spent his summers there, roaming the seaside with an 8-by-10 camera, making exquisite, sharply observed portraits of families, couples, children, artists, and other denizens of the progressive community. A cast of characters appear and reappear from season to season against a picturesque backdrop of sea, sand, and sun. Provincetown collects one hundred portraits, most never before published, bringing viewers into an idyllic world of self-styled individualism.
Joel Meyerowitz (born in New York, 1938) is an award-winning photographer whose work has appeared in over 350 exhibitions in museums and galleries around the world. He is a two-time Guggenheim Fellow, a recipient of both National Endowment for the Arts and National Endowment for the Humanities awards, and a recipient of the Deutscher Fotobuchpreis, and has published over thirty books, including the Aperture titles Legacy (2009), Cape Light (2015), and Seeing Things (2016). He lives in Italy.
Trent Parke is an Australian photographer. He is the husband of Narelle Autio, with whom he often collaborates. He has created a number of photography books; won numerous national and international awards including four World Press Photo awards; and his photographs are held in numerous public and private collections.
Katie Silvester is a film photographer based in London. Silvester strives to bridge the gap between commissioned and personal work by breaking down and utilising the genuine intimacy of friendship on set. Drawing inspiration from her time on the road, and the freedom and spontaneity it affords, she captures the natural beauty of her subjects and explores their connection to the world around them.