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luís soares

Blog do escritor Luís Soares

Francesca Woodman

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From The New Yorker:

They’re exceptional pictures, taken between 1972 and 1981 by a young artist who was her own muse. But Woodman’s slow-burning self-portraits are the precise opposite of a glib selfie. Long exposures obscure her identity, which recedes as the figures migrate from body to blur. These pictures don’t give a damn about getting likes.