The Soldier portraits were made with the cooperation of the military at Fort Drum army base. The soldiers I met were between tours of duty in Iraq and Afghanistan. In making these portraits, I hoped to photograph the invisible. I thought that by looking in the face of a young person who had witnessed something unforgettable we might imagine what he had seen or done, or not done. Although the implication of being shot down was likely not lost on these young men and women, the pose is also a intimate - like seeing someone opposite you with his or her head on the pillow.
Between 1945 and 1962, the United States conducted 210 atmospheric nuclear bomb tests. For each of those tests, the government used multiple cameras filming at 2,400 frames per second to document things. Over 700 of the films have been declassified so far, and they’re currently being uploaded to YouTube.
The videos are being uploaded by Lawrence Livermore National Laboratory of Livermore, California, which conducted the original nuke tests. Researchers and film experts are going through the roughly 10,000 films that were previously classified and stored around the country in high-security vaults.
So far 6,000 have been found, 4,000 have been scanned, and 750 have been declassified.
Since the film reels weren’t stored properly, they’re in the process of decomposing and losing their images, so a team is working to digitize and preserve the data so that the footage is preserved for the future.
64 of the nuclear bomb explosion videos can now be found through Livermore’s YouTube account, and some of the footage is awe-inspiring and terrifying:
The tests in these videos were all done after the U.S. dropped atomic bombs on the Japanese cities of Hiroshima and Nagasaki in 1945.
Preserving this footage for posterity is important due to the fact that the United States no longer conducts nuclear weapons testing, but instead uses old testing data and new computer modeling for research.
Disco Night Sept. 11 is a chronicle of America's wars from 2006-2013. The photographs shift back and forth from the wars in Iraq and Afghanistan to the USA, unsparingly capturing the violent, ceaseless cost, but also the mystery and the madness, the beauty and absurdity at the core of each conflict. The narrative is complemented by nineteen gatefolds which elaborate on places and individuals.
Photographs are fragments, sometimes only loosely tied to important experiences. An extensive text records some of the missing pieces. The stories that precede and follow the moment of the photograph, conversations with soldiers, anonymous graffiti that's part confession, part boast.
Disco Night Sept. 11 is an expansive yet intimate account of this defining era of history.
V E Day began with Mr Churchill's broadcast officially announcing the end of war in Europe. Londoners took to the streets in celebrations which continued for nearly two days. Outside Buckingham Palace the crowds chanted 'we want the King' and were rewarded by the Royal Family appearing on the balcony. At nine o'clock in the evening the King broadcast to Britain and the Commonwealth.
English MP Mrs. Mavis Tate shows proof of the holocaust with shots from her visit to a German concentratino camp. Taken from the original 1945 British Pathe newsreel "German Atrocities - Proof". This Pathe newsreel showed the world at the time what atrocities had been committed. The MP, Mavis Tate describes eloquently what she saw at Buchenwald concentration camps.