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luís soares

Blog do escritor Luís Soares

Kevin Young - Money Road

On the way to Money,

     Mississippi, we see little

ghosts of snow, falling faint


     as words while we try to find

Robert Johnson’s muddy

     maybe grave. Beside Little Zion,


along the highwayside, this stone

     keeps its offerings—Bud & Louisiana

Hot Sauce—the ground giving


     way beneath our feet.

The blues always dance

     cheek to cheek with a church—


Booker’s Place back

     in Greenwood still standing,

its long green bar


     beautiful, Friendship Church just

a holler away. Shotgun,

     shotgun, shotgun—




rows of colored

    houses, as if the same can

of bright stain might cover the sins


     of rotting wood, now

mostly tarpaper & graffiti

     holding McLaurin Street together—


RIP Boochie—the undead walk

     these streets seeking something

we take pictures of


     & soon flee. The hood

of a car yawns open

     in awe, men’s heads


peer in its lion’s mouth

     seeking their share. FOR SALE:

Squash & Snap Beans. The midden


     of oyster shells behind Lusco’s—

the tiny O of a bullethole

     in Booker’s plate-glass window.




Even the Salvation

     Army Thrift Store

closed, bars over


     every door.

We’re on our way again,

     away, along the Money


Road, past grand houses

     & porte cochères set back

from the lane, over the bridge


     to find markers of what’s

no more there—even the underpass

     bears a name. It’s all


too grave—the fake

     sharecropper homes

of Tallahatchie Flats rented out


     along the road, staged bottle trees

chasing away nothing, the new outhouse

     whose crescent door foreign tourists




pay extra for. Cotton planted

     in strict rows

for show. A quiet


     snow globe of pain

I want to shake.

     While the flakes fall


like ash we race

     the train to reach the place

Emmett Till last


     whistled or smiled

or did nothing.

     Money more


a crossroads

     than the crossroads be—

its gnarled tree—the Bryant Store


     facing the tracks, now turnt

the color of earth, tumbling down

     slow as the snow, white




& insistent as the woman

     who sent word

of that uppity boy, her men


     who yanked you out

your uncle’s home

     into the yard, into oblivion—


into this store abutting

     the MONEY GIN CO.

whose sign, worn away,


     now reads UN

Or SIN, I swear—

     whose giant gin fans,


like those lashed & anchored

     to your beaten body,

still turn. Shot, dumped,


     dredged, your face not even

a mask—a marred,

     unspared, sightless stump—




all your mother insists

     we must see to know

What they did


     to my baby. The true

Tallahatchie twisting

     south, the Delta


Death’s second cousin

     once removed. You down

for only the summer, to leave


     the stifling city where later

you will be waked,

     displayed, defiant,


a dark glass.

     There are things

that cannot be seen


     but must be. Buried

barely, this place

     no one can keep—




Yet how to kill

     a ghost? The fog

of our outdoor talk—


     we breathe,

we grieve, we drink

     our tidy drinks. I think


now winter will out—

     the snow bless

& kiss


     this cursed earth.

Or is it cussed? I don’t

     yet know. Let the cold keep


still your bones.

Kevin Young - Beyond Words

       Mudd Club 4th floor gallery
       Manhattan, April 1981


If you bomb

the IND

or tag the 2




dousing it in tribal


shrapnel, you're it

—the shit—

If you can lie


between the rails

—Please Stand

Clear the Closing—


or press yourselves

betw. train

& the wall


spray can rattling

like a tooth—The roof

the roof


the roof is on


the 6 will whistle


past, swinging

like a night stick—

Officer Pup throwing


a brick

@ that Mouse

Ignatz, in love—



you'll have found

risk. A calling—


Crash, Daze, Pray

covering trains

like cave paintings,


avoiding the German


while the cars sit


in the yards

—what no one else in this

city owns. Making


their names

known—Dondi, Boy-

5, B-Sirius, Crazy


Legs, Coolie C—

The city clears

its throat


the subway shaking

the buildings above—

We don't need


no water let

the motherfucker

burn— Futura 2000,


Phase II, Quick

& Sex & Zephyr

& Lady Pink—


Fab 5 Freddy

(n� Braithwaite)

saying everyone's


a star. "Rapture"—


the whole planet's in

on it—Chilly Most

Being the Host Coast


to Coast—Freddy's painted

Campbell's Soup Cans that read

DADA & POP instead


of beef barley—

the UFO has landed

& a brother's


stepped out, alien, dressed

in white. Then when

there's no more cars


he goes out at night

& eats up bars

graffiti like 3 card monte—


running, avoiding the pigs

like a black muslim

bean pie. DJ spinning


says my my.

Pay attn.—

say, ain't that


Basquiat spinning


disks behind Blondie—




45s stacked high

as a Dag-

wood sammich?


Hungry, this B-

boy's headed

to the top—Yes


Yes y'all

You don't stop—

blowing up.