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luís soares

Blog do escritor Luís Soares

Salty

Video concept: Kazu

Realized, filmed and edited by Paride Ambrogi and Jonas Renner

Font artwork: Adam Guzman

 

Kazu Makino - CS60, Loops, Vocals

Ryuichi Sakamoto - Piano, Chimes, Triangle, Loops

Mauro Refosco - Percussion

Ian Chang - Sunhouse Percussion

Sam Griffin Owens - tape loops

 

where were them, my eyes?

let my mind fall in, head to toe

all i would see now...you

eyes talk my mind

led by whatever you do...move

playful chords mane

 

i let you choose them one more

eyes talk

i bet you’re salty

led by led

whatever you choose...move (headless horse)

 

eyes talk my mind

 

led by whatever you do

 

move

 

playful chords i let you choose them one more

 

eyes talk

 

i bet you’re salty

 

led by led

 

whatever you choose….move

 

 

you はやく会おう

 

hurry up どうしても

 

馬を🐎

 

ひとりじゃいや

 

好きだ

 

はやく会おう

 

馬を🐴

Current Mood (Pocket Symphony)

Pocket Symphony is the fourth full-length album by French duo Air. The album was released in March 2007 and features collaborations with Jarvis Cocker and Neil Hannon. Pocket Symphony also incorporates some of the Japanese instruments Godin recently learned to play from an Okinawan master musician: the koto (also referred to as a Japanese floor harp) and the three-string, banjo-like shamisen. However, a press release claims that "conventional instruments continue to play a great role" in the duo's music. The album features art by Xavier Veilhan.

Terra

Quando eu me encontrava preso

Na cela de uma cadeia

Foi que vi pela primeira vez

As tais fotografias

Em que apareces inteira

Porém lá não estavas nua

E sim coberta de nuvens...

 

Terra! Terra!

Por mais distante

O errante navegante

Quem jamais te esqueceria?...

 

Ninguém supõe a morena

Dentro da estrela azulada

Na vertigem do cinema

Mando um abraço prá ti

Pequenina como se eu fosse

O saudoso poeta

E fosses a Paraíba...

 

Terra! Terra!

Por mais distante

O errante navegante

Quem jamais te esqueceria?...

 

Eu estou apaixonado

Por uma menina terra

Signo de elemento terra

Do mar se diz terra à vista

Terra para o pé firmeza

Terra para a mão carícia

Outros astros lhe são guia...

 

Terra! Terra!

Por mais distante

O errante navegante

Quem jamais te esqueceria?...

 

Eu sou um leão de fogo

Sem ti me consumiria

A mim mesmo eternamente

E de nada valeria

Acontecer de eu ser gente

E gente é outra alegria

Diferente das estrelas...

 

Terra! Terra!

Por mais distante

O errante navegante

Quem jamais te esqueceria?...

 

De onde nem tempo, nem espaço

Que a força mande coragem

Prá gente te dar carinho

Durante toda a viagem

Que realizas no nada

Através do qual carregas

O nome da tua carne...

 

Terra! Terra!

Por mais distante

O errante navegante

Quem jamais te esqueceria?

Terra! Terra!

Por mais distante

O errante navegante

Quem jamais te esqueceria?

Terra! Terra!

Por mais distante

O errante navegante

Quem jamais te esqueceria?...

 

Nas sacadas dos sobrados

Da velha são Salvador

Há lembranças de donzelas

Do tempo do Imperador

Tudo, tudo na Bahia

Faz a gente querer bem

A Bahia tem um jeito...

 

Terra! Terra!

Por mais distante

O errante navegante

Quem jamais te esqueceria?

Terra!

Blood

L.A. based cellist, singer and producer Kelsey Lu shares a breathtaking performance of ‘Blood’, the stunning title-track from her debut album.

About Work The Dancefloor

Georgia - "About Work The Dancefloor", out now on Domino Record Co.

 

Directed by NYSU

Produced by Garage Films

Executive Producer - Rafa Reboll

Producer - Marina Brement

Commissioner - John Moule

Production Manager - Natalia García

1st AD - Almudena Martín

DOP - Pablo Clemente

Art Direction - Diego Sánchez

Wardrobe - Carlos Fernández / Silver Jacket designed by Penny Century

Make-up - Sara Rubio

Gaffer - Fernando Llanos

Grip - Teddy de la Cuesta

FX - Cesar Alcaide

Editor - Francisco Molina

VFX by Fake Studio

VFX operator - Ñaña González

Grading - Jon Corcuera (Gradepunk)

Amanda Palmer: Tiny Desk Family Hour

Robin Hilton | When Amanda Palmer heard she'd have around 15 minutes for her Tiny Desk Family Hour performance, she assumed there wouldn't be time for most of the songs on her new album, There Will Be No Intermission, a sprawling masterwork with epic tracks clocking in at 10 minutes or more. So, she showed up with just her ukulele in hand, prepared for a stripped-down, abbreviated set. But when we wheeled out a grand piano just for her – and after I gushed to the crowd about Palmer's brilliant new opus on the nature of humanity called "The Ride" – she decided she had to play it.

 

Like many of the tracks on There Will Be No Intermission, "The Ride" is a deep, existential dive into fear, death, loneliness and grief, with the tiniest glimmer of hope or comfort at the end. This is Palmer's first album in seven years and it documents all she's been through in that time. It's also an album she says wouldn't have been possible if she hadn't decided to make it on her own, with crowdfunding support from fans. "It's a very intense record. It's been a very intense seven years of my life since I put out my last one," she told the crowd at Austin's Central Presbyterian Church. And without having a label to answer to, she said she was able to "write an entire album with songs that are really long and about miscarriage and abortion and about the kind of stuff I don't want to take up to 'Steve' in marketing to try to explain why this record should exist."

 

Though she's played abbreviated versions of "The Ride" in past shows, this is one of her earliest performances of the full, album-length song. Two days after her Tiny Desk Family Hour set, Palmer returned to the Central Presbyterian Church for an epic, two-and-a-half hour concert with just her ukulele and piano.

Gecko

COUCOU CHLOE — GECKO

 

Track produced by coucou chloe

Directed - Sam Ibram

Editing - Aurelien Boisson

Styling/Creative Direction - Lee Trigg

DP - Sekou Abineri